Jim Moreno
نویسنده
چکیده
This paper will consider Robert Rauschenberg’s use of performance to further explore ideas already embedded within his visual artworks. His compositional processes and operational strategies will be scrutinized to distinguish commonalities and dissimilarities in his approaches. In particular, Rauschenberg’s effort to conflate seemingly disparate genres or concepts will be examined not as a mere act of blending, but as a method of juxtaposition that allows differences to coexist and manifest into an artwork not already defined.
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